Skip to main content

Timeless Sounds

Search This Blog

#Nowplaying : Streets of Laredo

Posted by Timeless Sounds on June 06, 2015

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Nowplaying Video

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Comments

Post a Comment

Popular Posts

The Vaccines - English Graffiti ALBUM REVIEW

On their newly enlightened, Young started praising the adventurousness of hip-hop and pop, and bravely opted out of valuable patronage after decrying the Who’s forthcoming Glastonbury headline slot as "a safe booking." They sought out Dave Fridmann along with former Haunted Graffiti member and Julia Holter collaborator Cole M. Greif-Neill to work on their third album, on which they attempted to "steer clear of a lot of the self-imposed rules that indie music implies," Icelandic bassist Árni Árnason said recently. Some of their fans were hesitant about the more tender, melancholy direction signalled on 2014’s stopgap Melody Calling EP, but to their credit, the Vaccines persevered with it (though they ditched an apparently wilder version that would have been "commercial suicide" ). The result is their best record yet. Part of its success is due to the fact that the Vaccines sound borderline-unrecognizable here, which is probably curmudgeonly

El Primer Concierto

Mi primer concierto? Cuál fué? Aquí les va, sin vaselina: Air Supply en el teatro Centro Cívico de GYE. Capaz se pregunten cómo fui a parar a un concierto de soft ¨extremely cheesy¨ rock. Pues la historia es que pasó aprox en el año 1990-91 cuando la banda estuvo en Guayaquil. Mis padres iban a ir juntos al concierto pero mi hermano mayor le dió algún virus de esos estomacales y mi mamá se quedó a cuidarlo. Ella no quería que se desperdicien los tickets así que me preguntaron si quería ir y eso hice; fuí con mi papá y sus amigos. Yo ni sabía qué iba a ver y escuchar pero me emocionaba el simple hecho de ir a un concierto. Fué una experiencia totalmente nueva, bacansísima y lo disfruté demasiado. Recuerdo mi cara de gil cuando veía al guitarrista bajandose del escenario tocando inalámbricamente... era como descubrir el fuego o el agua tibia. Bueno, esa fué mi historia, pero todos tenemos una; espero compartan sus experiencias aquí en los comments. Estoy seguro serán increíbles.

Bob Dylan's 'Like a Rolling Stone' Came Alive 50 Years Ago Today

Fifty years ago today, in Studio A at Columbia Records, they gave it one more try. Michael Bloomfield plugged in his Strat, the one he'd brought from Chicago without a case that winter. Paul Griffin moved from organ to piano. Sensing a opportunity, Al Kooper, who was going to play guitar until Bloomfield showed up and scared hell out of everyone else, bluffed his way onto the organ bench, telling producer Tom Wilson that he had a great organ part ready to go. Wilson rolled tape. Kooper was half-a-beat behind on every chorus, which happened to be perfect. And, like all the great folk tales from everywhere in the world, the song began exactly as it was supposed to begin, because it came from that timeless place where all mundane journeys end and all mysteries have their beginnings. "Once upon a time..." source: esquire.com

Powered by Blogger